Steel Pulse Live at the London Hammersmith Palais, September 1985 | MIDNIGHT RAVER
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Steel Pulse Live at the London Hammersmith Palais, September 1985

Steel Pulse live at the Hammersmith!

It’s 1985 and Steel Pulse is entering a transitional period. 

Commenting on that period lead singer David Hinds recalls, “By the mid-’80s, our style of politically conscious, spiritually-aware reggae music was being phased out. We had to try to get ourselves strengthened within the American market to stay alive, and we thought it was necessary to have a combination of politically-oriented songs and songs we called ‘bait music,’ songs that had a pop aspect to it so we could stay in the mainstream.”

While on a 7 month tour of North America, their newly-adopted home, the band are joined by Tyrone Downie of The Wailers on keyboards, before a Caribbean tour that includes Reggae SuperJam and a stopover in Jamaica to finalize the recording of their next album.

1985 also sees a strained relationship with Elektra after the record company refuses to print lyrics on the sleeve of their sixth album, Babylon The Bandit. The band insists and pays for the extra themselves but the fall-out is terminal and their contract is torn up, leaving bad feelings on both sides. The album earns the band their first Grammy music award for Best Reggae Album, despite a mixed reception from the public.

Hinds remembers, “The album had flaws in its overall delivery. A track like School Boys Crush, if that’s not bubble-gum, I don’t know what is.”

Bassist Alvin Ewen and Carlton Bryan (lead) took up the guitar duties for this album, with Jimmy Haynes again in charge of production. Ronald Butler (lead) and Errol Reid (keyboards) joined the band on the road the following year as they toured Europe and the US.

In September 1985, immediately following their North American tour in, Steel Pulse returns to London to perform a show at the Hammersmith.  I apologize as I don’t have the specifics with regard to this show.  Our friend Andrew B. confirms  the show in question is London Hammersmith Palais, which was recorded for rebroadcast on the BBC.  Mark Kamba of Black Beat International published a review of the show, which can be found HERE.

Hammersmith Pailais

Hammersmith Setlist:



Give thanks to Andy Brouwer for the Steel Pulse biography on his web site  His site also hosts the Hammersmith concert review.

Steel Pulse Hammersmith 1985

After the band formed in 1975, their debut single release, “Kibudu, Mansetta And Abuku”, arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with “Nyah Luv” for Anchor. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement, including the StranglersXTC etc. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records.

Their first release for Island was the “Ku Klux Klan” 45, a tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage. By this time their ranks had swelled to include Selwyn Brown (keyboards), Steve “Grizzly” Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley (vocals). Handsworth Revolution was a long-playing record and one of the major landmarks in the evolution of British reggae (Executive Producer Pete King). However, despite critical and moderate commercial success over three albums, the relationship with Island Records had soured by the advent of their third album, Caught You (released in the US as Reggae Fever).

The band made their US concert debut at the Mudd Club in New York in 1980.

Tom Terrell, who would later serve as their manager, was instrumental in masterminding a Steel Pulse concert on the night of Bob Marley‘s funeral, which was broadcast live around the world from the 9:30 Club, 930 F Street, N.W., Washington, D.C., on 21 May 1981.

They switched to Elektra Records, and unveiled their most consistent collection of songs since Handsworth Revolution with True Democracy, distinguished by the Garvey-eulogising ‘Rally Round’ cut. A further definitive set arrived in Earth Crisis. However, Elektra chose to take a leaf out of Island’s book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy GrantBabylon The Bandit was consequently weakened, but did contain “Not King James Version”.

Their next move was of Hinds of Steel Pulse to MCA for State of Emergency, which retained some of the synthesised dance elements of its predecessor. Centennial was recorded live at the Elysee Montmartre in Paris, over three nights, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and Selwyn. While they still faced criticism at the hands of British reggae fans, in the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York City Taxi & Limousine Commission in the Supreme Court, asserting that their cab drivers discriminated against black people in general and Rastafarians in particular. The lawsuit was later dropped by Steel Pulse.

Grammy award was awarded for their 1986 album Babylon The Bandit; Steel Pulse has received nominations for Victims (1991) and Rastafari Centennial (1992). In 1989, the group contributed I Can’t Stand it to the soundtrack of Spike Lee‘s film Do The Right Thing.

In 1994, the group headlined some of the world’s biggest reggae festivals including Reggae Sunsplash USA, Jamaican Sunsplash, Japan Splash and Northern California annual Reggae on the River Festival. In 1986, Steel Pulse contributed a version of “Franklin’s Tower” on Pow Wow Records’ Fire on the Mountain: Reggae Celebrates the Grateful Deadcompilation. They recorded The Police‘s “Can’t Stand Losing You” for a reggae compilation of Police tunes that appeared on the Ark 21 label. Rastanthology, a 17-song collection of Steel Pulse classics (the 1996 compilation was released on the band’s own Wise Man Doctrine label).

In 1997, the band released Rage and Fury.

Until February 2001, it had been many years since Pulse had performed in their hometown of Birmingham. They decided to perform at the Ray Watts memorial concert, which was held at the Irish Centre. Pulse shared the stage with Watts’ band, Beshara, along with other artists from Birmingham.

In 2004, Steel Pulse returned to their militant roots with African Holocaust – their eleventh studio album. With guest appearances by Damian MarleyCapleton, and Tiken Jah Fakoly(on the track African Holocaust), the album is a collection of protest and spiritual songs, including “Global Warning” (a dire warning about climate change), “Tyrant”, a protest song against political corruption, and “No More Weapons”, an anti-war song. Also featured on the album is the Bob Dylan song, “George Jackson“.

In 2007, the band released a music video for the track, ‘Door of No Return’. The video was produced by Driftwood Pictures Ltd., and was shot on location in Senegal and New York City. The video was directed by Trishul Thejasvi and produced by Yoni Gal. The video had its world premier at the Times BFI 51st London Film Festival in October, 2007.

In a 2013 interview with Midnight Raver, David Hinds indicated that a new studio album and documentary, tentatively titled Steel Pulse: The Definitive Story, would be released in 2014.  However, on 10 July 2014 Midnight Raver reported that, according to Hinds, both the studio album and documentary will be delayed until at least 2015.

In anticipation to a new Steel Pulse album, the Roots Reggae Library has indexed two compilation albums of the latest Steel Pulse singles. The albums are called Positivity and Jah Way, both after tracknames on the albums.




  1. Andy Boo says:

    The show in question is London Hammersmith Palais
    The show was recorded by the BBC for transmission at a later date. A

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