Mikey Dread At The Controls

Michael George Campbell, better known as Mikey Dread, was a Jamaican singer, producer, and broadcaster. He was one of the most influential performers and innovators in reggae music. His abilities, technical expertise, and unique vocal delivery combined to create a unique sound that tells the listener emphatically that it is the “Dread at the Controls”.  Mikey Dread passed away in 2008.

I am a big fan of the album Obsession,” a record that was panned by critics and remains a slight “hiccup” in an otherwise pristine catalog of music for Mikey Dread.

According to music critic Steve McDonald:

“Mikey Dread continues to move away from the early Dread at the Controls dub sound, involving himself with a mixture of lover’s rock and smooth low-key reggae that verges sometimes on a kind of new age mix. It’s a long way from what he used to do, but it’s still entertaining — and is far easier to enjoy because the music isn’t designed to turn your mind inside out.”

Mikey Dread “Roots And Culture”/Jungle Signal” 10″ (Dread At The Controls, 1984)

An excerpt from the Dread At The Controls radio show.

Mikey Dread and the Fully Fullwood Band (Soul Syndicate) live in Bakersfield, CA 2001.

‘Joseph- A Rasta Reggae Fable’ by Barbara Makeda Blake Hannah

Not all Bob Marley books are biographies, photography or songbooks. One in particular that does not really fit into any category is ‘Joseph- A Rasta Reggae Fable.’  As the title suggest it is a fable about Joseph, a “fictional” musician from the Third World who rises up to worldwide fame only to ride off into the African sunset.

CLICK HERE TO READ MORE…

King Jammy At The Controls

I came across this 60-minute documentary on You Tube about legendary producer and dub musician King Jammy.  This documentary is available for purchase HERE.  I highly recommend it.  It is an interesting look inside the world of dub.

I think I own almost every King Jammy’s release, and I own many of the albums he produced for other artists.  He has produced an encyclopedia of dub reggae and dancehall classics.  His influence upon the genres of reggae/dub/dancehall, like that of Lee Perry and King Tubby, can not be estimated.  The genre does not evolve without these genius musician/producers at the controls.

Please take a look at my previous post on Jammy’s and a sampler from the rare Kamikazi Dub album.