Midnight Dread Top Six ‘Unreleased’ Bob Marley & Wailers Live Videos

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For my extra special contribution to the Midnight Raver Millennial Posts Musical Stampede I and I offer this tough and tight quick list / long view of Bob Marley & The Wailers’ most amazing performances captured live (outside of One Love Peace & Smile Jamaica) on film or video. These complete concerts or rehearsals should be made widely available as soon as possible in the fullness with state-of-the-art transfers of both sound and image at the highest standards in line with the depth of the lyrics and musicianship. Granted, a couple of these have seen some limited release in either geography or selection and thanks to YouTube can be constricted to fit on most any current receiver device but all call for bigga big up screen THX (give thanx) surround style reproduction to reincarnate every soul. Lively up Skip!

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Midnight Raver’s “So Jah Seh” Mix Up

“So Jah Seh,” a tune written by Bob Marley in 1974, was originally recorded at Harry J studio in Jamaica and overdubbed at Island Studios in London, UK.  Though written by Marley, the tune is credited to Willy San Francisco, a pseudonym of percussionist Alvin “Seeco” Patterson (Wailers Definitive Discography by Steffens and Pierson).  Lesser known than many of the other tracks off the Natty Dread album, “So Jah Seh” is a favorite of native Jamaicans and hardcore fans.
The “So Jah Seh” sessions included the following musicians:
Rita Marley, Judy Mowatt, Marcia Griffiths – backing vocals
Carlton Barrett – drums
Aston Barrett – bass
Al Anderson – guitar
Bernard “Touter” Harvey – keys, harmony
Tommy McCook – tenor sax
Glen DaCosta – tenor sax
David Madden – trumpet
Vin Gordon – trombone
Alvin “Seeco” Patterson – percussion
Sylvan Morris – engineer (Harry Js)
Phil Ault – engineer (Island)
Sydney Bucknor – mixing engineer (Island)
Producer: Wailers
Notable live performances of “So Jah Seh” include Manhattan Center 1975 and Smile Jamaica 1976.
Midnight Raver’s “So Jah Seh Mix Up”
1. Wailers – So Jah Say (Speakers Corner Mix)
2. Wailers – So Jah Say (Version)
3. Wailers – So Jah Say (Vinyl, German Box Set)
4. Wailers – So Jah Say Dub
5. Wailers - So Jah Seh (Natty Dread Acetate – Tuff Gong Studio Original Mix)
6. Bim Sherman – So Jah Say (Bim Sherman)
7. Wailers – So Jah Say (7″ vinyl edit, Island Records)
8. Wailers - So Jah Seh (Live at Manhattan Center, NYC, 1975)
9. Wailers - So Jah Seh (Alternate, Natty Dread Demos)
10. Wailers - So Jah Seh (Rehearsal, Criteria Studios, Miami, September 1980)

“So Jah Seh” Smile Jamaica 1976
The following are photos of Bob Marley and the Wailers’ performance at Manhattan Center, NYC, June 1975.

Bob Marley, San Diego Sports Arena, November 24, 1979

This is the first in what I hope will be many photograph highlights, where Fred ‘Reggaelover’ P selects a photo to share, and the photographer describes the circumstances and context within which the photo was taken.
Our first selection is a black and white of Bob Marley backstage at the San Diego Sports Arena, November 24, 1979. 

Photographer:  Roger Steffens
Words by Roger Rojah Steffens
In our book, Bob Marley: Spirit Dancer, photographer Bruce Talamon and I document the reggae prophet’s final two tours of California in 1978 and 1979.
California was a very special place for Bob, especially the south,whose climate and flora Marley felt were similar to Jamaica.
According to several of his closest associates, Marley’s
favoriteconcert in North America took place on Haile Selassie’s birthday, July 23, 1978, at the Santa Barbara County Bowl. He did three sets of encores on a sizzlingly hot afternoon.
I was lucky enough to catch a half-dozen of Bob’s California shows from 75-79. Back in 75 Bob had a series of sold-out dates in San Francisco’s tiny Boarding House club, and so great was the demand that promoter Bill Graham, on just a few day’s notice, booked the
giant Oakland Paramount for a show that was almost completely sold out on word of mouth. It was my initial exposure to a man whose music I had become enamored with two years earlier.
At the end of 1979, my new partner Hank Holmes and I had just begun our “Reggae Beat” show on KCRW, the National Public Radio station in Santa Monica, and Bob Marley was our first guest.
On the air a mere six weeks, we were the only show in L.A., and so Bob’s publicists asked if Hank and I would like to go “on the road with Bob” during the next two weeks. I was beside myself with excitement.
The first show, however, turned out to be a dissappointment. Stuck in the upper tiers of the cavernous, echoey Pauley Pavillion,
UCLA’s cavernous basketball arena, we couldn’t even make out the songs that Bob was playing, so distorted was the sound.
He still had the presence, though, that was obvious – especially when a huge, burly man jumped onstage from the audience and fell on his belly, holding tightly to Bob’s legs.
For what seemed the longest time, no one did anything, until finally security guards pulled him off and hustled him outside.
The next show was in San Diego, and Hank and I rode the bus through Babylon with Bob down the coast.
Don Taylor, Marley’s manager (with whom he seemed to be in constant argument) told all the reporters present not to talk to Bob because “He needs to rest.”
That was readily apparent, and you can see the stress on his face in many of the pictures in “Spirit Dancer.”
The cancer was coursing, unchecked, through his bloodstream, eventually finding new homes in his lungs and brains, and he seemed a shell of the man we had met the year before.
I remember we drove by San Clemente, and I pointed out Nixon’s house out on the bluff. Bob’s only comment was, “What year him president?”
That evening, the venue proved to be another disappointment, as the bass bounced off the boards of the San Diego Sports Arena, and I despaired of ever hearing Bob in decent surroundings. It was the problem of his becoming so big – small clubs were mostly out of the question now.
But the audience seemed pleased with the show. On the way home, the band jammed in the back of the bus, guitarist Al Anderson beating time with drumsticks on the bathroom door.
I remember writing an article for the new L.A. Weekly about the trip, and commenting that the band members and
touring party all seemed a surprisingly healthy lot by rock and roll standards, eating only Ital food, and pausing often, mid-puff, to give thanks and praises to Selassie I.
But those memories are as strong as yesterday for me, as I imagine they are for most everyone in California who saw him.
As he predicted, “the music will just get bigger and bigger.”
He could just as surely be speaking of himself, for no artist has sold so many records after his passing than Bob Marley, the shimmering spirit dancer who knew his time on earth was limited, and made the perfect most of it.
One Love

Bob Marley and the Wailers: Sydney, Australia, April 27, 1979

BABYLON BY BUS TOUR 1979

Venue: Hordern Pavillion   
City: Sydney   
State/Province: New South Wales   
Country: Australia   
Recording Source Soundboard

Lineup   

Bob Marley, vocals, rhythm guitar   
Aston Barrett, bass   
Carlton Barrett, drums   
Junior Marvin, lead guitar   
Al Anderson, lead guitar   
Tyrone Downie, keyboards   
Earl “Wya” Lindo, organ   
Alvin “Seeco” Patterson, percussion   
The I-Threes, backing vocals Setlist  

1. “Positive Vibration”  
2. “Concrete Jungle”  
3. “Burnin’ And Lootin’”  
4. “Them Belly Full (But We Hungry)”  
5. “The Heathen”  
6. “Running Away” -> “Crazy Baldhead”  
7. “I Shot The Sheriff”  
8. “No Woman, No Cry”  
9. “Is This Love?” 
10. “Jammin’” 
11. “Natty Dread” 
12. “War” -> “No More Trouble” 
13. “Get Up, Stand Up” 
14. “Exodus”

DOWNLOAD LOSSLESS (FLAC) AUDIO

Bob Marley, Sydney, 1979

Photo by J. Brum

Bob Marley and the Wailers: Waikiki Shell, Honolulu, HI 1979

It is early 1979 and The Wailers are on a whirlwind tour of Japan, Australia, New Zealand, and then on to Hawaii.  According to guitarist Al Anderson, who I recently spoke with, this tour schedule in the spring of 1979 was exhausting.  They drew crowds in excess of 50,000 during this last leg of the Babylon By Bus Tour.  They would never play these venues again.

I have included a press article shared by my good friend Fred from France.  It is a review of the Honolulu, HI show at the Waikiki Shell.

I have also included the lossless (FLAC) audio files of the show.  The audio is way over-modulated and the bass is substantially distorted, however, if you are collecting these shows, it is a must-have.

Bob Marley and the Wailers
Venue: Waikiki Shell
City: Honolulu
State/Province: Hawaii
Country: United States
Recording Source Audience

1. “Concrete Jungle”
2. “Burnin’ And Lootin’”
3. “Them Belly Full (But We Hungry)”
4. “The Heathen”
5. “Running Away” -> “Crazy Baldhead”
6. “War” -> “No More Trouble”
7. “I Shot The Sheriff”
8. “No Woman, No Cry”
9. “Lively Up Yourself”
10. “Jammin’”

DOWNLOAD LOSSLESS (FLAC) AUDIO

New Musical Express June 2, 1979

Photo by Brian Bielmann
http://www.bobmarleyarchive.com

Photo by Brian Bielmann
http://www.bobmarleyarchive.com

Photo by Brian Bielmann
http://www.bobmarleyarchive.com

Many thanks to my good friends Emmanuel Parata at www.bobmarleyarchive.com and Fred at http://voiceofthesufferers.free.fr/.