MIDNIGHT RAVER’S Album of the Week

‘Kingston Rock,’ recorded in 1974 at Randy’s, is a phenomenal record featuring the vocals of Winston Jarrett and Horace Andy with riddims provided by The Wailers.

Winston Jarrett talks about how this album came about in an interview with Peter I:

Q: How did this project with RCA come up now, what was released in ’74 as ‘Kingston Rock’ with you, members from the Wailers band like the Barretts, plus Horace Andy?

A: Oh, with that guy now (the late) Brent Clarke? He has a brother in England named Sebastian Clarke.

Q: A journalist, yeah.

A: I think he used to put out some magazine with artists an’ things like that, give artists write-up. And he establish a magazine/book that he used to put out, maybe one or two time I hear. I don’t…

Q: He published a book in 1980 entitled ‘Jah Music’ if I’m not mistaken.

A: Now, I mostly know his brother in England but I know Brent Clarke because he was a road manager for Bob Marley & The Wailers in the early days, but they fired him and told him that they don’t want him to be no more manager again. So he come to Jamaica and was down there for a good while, maybe a year or over a year he was down there, so he was living up by Ninth Street, in Trench Town. I used to go up there and check him all the time and all day we are there so he come up with this idea that he was interested in my music an’ t’ing and he want to do an album. And he was making some arrangement to get Family Man and the Wailers to back me up because they didn’t sign no contract with Bob Marley yet at that time. That’s how we come up with that album, we did that album for Brent Clarke and the Randy’s studio, downtown Parade. At Randy’s studio, that’s where we record them songs with me and I think he do a couple – some songs with Horace Andy. I tell you the truth: that is one of my firs’ album I did for Brent Clarke, and up to now he told me that he want to get a big hit and he wanna try to see if he can come up with a big company to distribute it and make some licensing deal or something like that, with RCA-Victor. But I don’t know how – if they turned down the deal with it, so he put it out by himself. I don’t get no royalty from him, no statement, nutten at all and he left Jamaica and I haven’t heard about him. Because I am a member of the PRS – PRS mean ‘Performing Rights Society’, and I am a member of it for fifteen years, also a member of the MCPS – MCPS mean ‘Mechanical Copyright Society’, I am a member of that too. So, when it comes to my royalty, they always send me that statement and I see a lot of songs that come out. Brent Clarke is included and Roy Cousins from Wambesi label and Trojan put out a lot of those my songs them in England. And they take a fifteen percent share out of my royalties, so…

Q: So there wasn’t much to benefit from in other words, doing this ‘Kingston Rock’ album on RCA?

A: Nothing! Not even one – you see how small a lollipop is? Lollipop is a sweetie, not even that I get from Brent Clarke! None of those songs, and I don’t have a copy of it. I was chasin’ to find him, I heard that – somebody told me that he died, I dunno if it’s true. Delilah, the lady that was married to Brent Clarke, she was a secretary of Bob Marley’s Tuff Gong up at Hope Road, Kingston, Jamaica. And they both leave from Jamaica and come to the States and from that I heard nutten about him. Somebody told me two weeks ago that he died.

Q: Pity about such a project, that it just died there. So you were a contemporary with Elvis at RCA, wonder if he took notice (laughs)? Your first and only major label deal just petered out…

A: Yes. So I understand, y’know, I never see the album. I think it name ‘Kingston Rock’, or something.

Q: True. And he changed the title when he reissued the record in about 1987 to ‘Earth Must Be Hell’, on his own Atra label.

A: Yes, yes, I know that label, Atra. Yeah man.

Untitled

Winston Jarrett – True Born African
Horace Andy – Earth Must Be Hell
Horace Andy – Unity, Strength & Love
Horace Andy – Can’t You See It’s Time
Winston Jarrett – Country Woman
Winston Jarrett – Let The Music Play
Winston Jarrett – Wake Up Suzy
Horace Andy – I Stand Before You
Horace Andy – How Do You Think I Feel
Horace Andy – Treasure Call Love
Winston Jarrett – Isn’t It Wrong
Winston Jarrett – Writing On The Wall

Producer : Aston Barrett & Brent Clarke

Mixing Engineer : Bradley Robertson
Engineer : Errol Thompson & Richard Goldblatt

Vocals : Horace Andy & Winston Jarrett
Backing Vocals : Ann & Annis Peters & Greta Hinkson
Backing Band : The Righteous Flames
Drums : Carlton Barrett
Bass : Aston Barrett
Guitar : Earl Chinna Smith
Piano : Tyrone Downie
Electric Piano : John Rabbit Bundrick
Organ : Earl Wire Lindo & John Rabbit Bundrick & Tyrone Downie
Percussions : Stranger Cole & Winston Jarrett

Studios :
Recording : Randy’s (Kingston, JA)
Mixing : De Lane Lea (London, UK)
Voice Recording : De Lane Lea (London, UK)
Overdubs Recording : De Lane Lea (London, UK)

Raver’s Album Pick of the Week!

Hugh Mundell’s ‘Jah Fire’ feat. Lacksley Castell (Arawak)

Recorded in 1980 when Mundell was only 18 years of age, ‘Jah Fire’ is an album that spoke to me the very first time I heard it, and it has been a favorite of mine ever since.  Featuring the riddims of Mundell’s personal friend and spiritual advisor Augustus Pablo, the album was brilliantly produced at Jammy’s studio in Waterhouse by Jammy himself.  While the album is credited primarily to Mundell, it is Lacksley Castell who does the heavy lifting here, singing all but 3 of the songs.  I have read that when the album was recorded, Jammy recorded Mundell to the A side and Castell to the B side, intending to release it as a showcase of two young rising stars with very unique, yet similar singing styles.  I don’t know what happened after that.  What I DO KNOW is that this is one of the best roots reggae albums I’ve ever heard.

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Hugh Mundell – ‘Jah Fire’ (1980)

Jah Fire
Walk With Jah
King Of Israel
Be My Princess
Million Miles
My Woman Can
You Over There
Black Sheep
Million Dub
King Pablo
Pablo In The Moonlight

Mixing Engineer : Prince Jammy

Producer : Prince Jammy

Vocals : Lacksley Castell & Hugh Mundell
Drums : Santa Davis & Horsemouth Wallace & Sly
Bass : Robbie & Jah Mike
Guitar : Chinna & Bo-Peep Bowen & Bingy Bunny
Piano : Keith Sterling & Gladdy Anderson
Horns : Deadly Headly & Cedric Im Brooks & Bobby Ellis
Percussions : Scully Simms & Sticky

MIDNIGHT RAVER’S Album Pick: Hugh Mundell ‘The Blessed Youth’ (Makasound) 2004

For The Week Of April 21, 2013

This week’s album pick is one that I searched for in vinyl for several years but could never find for less than a mortgage payment.  So a few months ago I walk into my local record shop and I;m flipping through the reggae vinyl like a mental patient, hoping they got something, anything I might be interested in.  I flip right past this double album and don’t even realize it for a few seconds.  I back it up and there it is in near mint condition.  The 2004 collection of Mundell’s many masterpieces between 1978-1981 pressed by the Makasound label, Paris, France.  Although I have many grievances with the way this album was compiled, I have no complaints regarding the sound quality, which is epic.

“Hugh Mundell’s tragic life story — he was a promising young roots reggae singer who, at age 21, was senselessly killed during an argument over a refrigerator — has always overshadowed any examination of his actual vocal skill, which was impressive enough when he began his career as a young teen but did not have time to mature into anything more exciting than that. His songwriting talent was similarly middling overall, but remarkable in someone so young. Most American reggae listeners, if they know his work at all, are familiar with the album Africa Must Be Free by 1983, recorded under the supervision of producer Augustus Pablo between 1975-1977; Blessed Youth brings together selections from his subsequent three albums, which were recorded at a variety of studios between 1978 and his death in 1981. The music is a bit uneven, but there are moments of real brilliance, among them the powerful “Time & Place” and the repatriation anthem “Time Has Come.” Mundell’s mediocre singing on “Oh How I Love H.I.M.” is saved by a nice cameo on the part of DJ Jah Bull, and he is charmingly diffident on the love song “Don’t Stay Away.” The best introduction to Mundell’s art is still Africa Must Be Free by 1983 (which includes the album’s dubwise counterpart on the CD reissue), but anyone who is left wanting more will enjoy this collection just as much.”

- Rick Anderson, AllMusic

I have included my own high quality digitized audio as well as an article from The Beat wherein Junior Reid, who was sitting next to Mundell in the car when he was murdered, recounts the story.

Capture

Rastafari Tradition
Hugh Mundell & Max Edwards – Oh How I Love H.I.M.
Great Tribulation
Hugh Mundell & Jah Bull – Blackman’s Foundation
Time Has Come
Don’t Stay Away
Live In Love
Time And Place
Feeling Allright (Extended Version)
Stop Them Jah (Extended)
Short Man
Can’t Pop No Style
Hugh Mundell & Max Edwards – Hey Mr Richman
One Jah, One Aim, One Destiny
Rastafari’s Call

Producer : Hugh Mundell

Vocals : Hugh Mundell
Drums : Horsemouth Wallace & Santa Davis & Albert Malawi
Bass : Junior Dan & Michael Taylor & Fully Fullwood
Guitar : Tony Chin & Fazal Prendergast & Chinna & Sowell
Keyboards : Augustus Pablo & Pablove Black
Flute : Theodore Benji
Horns : Deadly Headly
Percussions : Scully Simms & Ras Menilik Dacosta
Melodica : Augustus Pablo

Studios :
Recording : Channel One (Kingston, JA)
Mixing : King Tubby’s (Kingston, JA) & Harry J (Kingston, JA)

death_of_mundell

MIDNIGHT RAVER’S ALBUM PICK OF THE WEEK!

CREATION REBEL – ‘STARSHIP AFRICA’ (1978)
This is one of the most wild, psychedelic, and spaced out dub albums I’ve ever heard.  Spawned from the genius of Adrian Sherwood (On U Sound, UK) and Style Scott (Roots Radics, drums) comes the vastly underrated 1978 Creation Rebel Dub LP ”Starship Africa.”
Here is what one of my favorite bloggers (http://rho-xs.blogspot.com/) had to say about this album:
“Originally recorded in 1978 (following the recording of Dub from Creation), the mighty Starship Africa was already envisioned as the debut album by one DJ Superstar, toasting over a series of rhythms performed by the basic Creation Rebel unit, with Misty in Roots’ Tony Henry on superbly melodic bass. These original tapes have long since vanished — the project was canceled (Adrian Sherwood declared the results “lame”) and it would be another two years before he returned to them, while casting around for the maiden release by a new label he was involved with, 4D Rhythms. Remixing and re-recording the rhythms saw Jamaican drummer Style Scott recruited to play live over Charlie Eskimo Fox’s original tapes; an additional half a dozen percussionists, drawn from whoever happened to be in the studio at the time, were additionally overdubbed, with Sherwood camouflaging their basic lack of timing and rhythm by employing some truly wild phasing and echo. Indeed, his 4D Rhythms partner Chris Garland allegedly spent most of the session encouraging Sherwood to take the effects as far from the norm as he could, to the ultimate extent of mixing the tracks blind. The result is an album that has been compared to acts as far afield as Tangerine Dream and the Grateful Dead, a truly spaced-out dub experience that, spread over just two tracks (albeit broken down into five and four movements apiece), stands among the most intriguing of all Sherwood’s earliest creations.”

Untitled

1  Creation Rebel – Starship Africa Section 1 
2  Creation Rebel – Starship Africa Section 2 
3  Creation Rebel – Starship Africa Section 3 
4  Creation Rebel – Starship Africa Section 4 
5  Creation Rebel – Starship Africa Section 5 
6  Creation Rebel – Space Movement Section 1   
7  Creation Rebel – Space Movement Section 2   
8  Creation Rebel – Space Movement Section 3  
9  Creation Rebel – Space Movement Section 4  
Creation Rebel is:
Bass – Lizard
Drums – Eskimo Fox, Style Scott
Guitar – Crucial Tony
Melodica – Doctor Pablo
Organ, Piano – Bigga Morrison*
Percussion – Mr. Magoo, Sucker
Producer – Adrian Sherwood
Synthesizer – Doctor Pablo 

MIDNIGHT RAVER’s Album Pick Of The Week

This week’s pick is ‘Lovers Leap Showcase’ by Bim Sherman, my favorite Jamaican singer, hands down.  The album, released in 1979, is a stunning listen!  Not only do you have the vocal stylings of Bim Sherman, but also on this album you have the Soul Syndicate and the Roots Radics laying down the riddims. 
Babylon feel ‘dis one all week long!

Untitled

 
Bim Sherman
Lovers Leap Showcase
Record date : 1979
Album style : roots, solo vocal
Playlist :
My Woman
My Woman Part 2
Lovers Leap
Lovers Leap Part 2
My Brethren
My Brethren Part 2
It Is Raining
It Is Raining Part 2
Chancery Lane
Chancery Lane Part 2
Engineer : Prince Jammy
Producer : Bim Sherman
Vocals : Bim Sherman
Backing Band : The Soul Syndicate & The Roots Radics
Drums : Santa Davis
Bass : Fully Fullwood & Errol Flabba Holt
Guitar : Chinna & Bingy Bunny
Studios :
Channel One (Kingston, JA) & King Tubby’s (Kingston, JA) & Randy’s (Kingston, JA)
 
Here is another Bim Sherman classic, which I uploaded last year.  It is a high quality vinyl rip of my own copy of “In A Rub-A-Dub Style.”

Untitled