Midnight Raver

Reggae/Dub/Roots/Culture

Archive for the tag “Alvin Patterson”

Bob Marley and the Wailers, Live at Westfalenhalle, Dortmund, Germany 1980

What I have shared with you today is high quality video footage of the now-historic performance at Westafalenhalle in Dortmund, Nordrhein-Westfalen on June 13, 1980.  This is probably one of Marley’s best known shows as it has been rebroadcast throughout Europe on live rock television shows like “Rockpalast”.

This concert features a lovely intro set by the I-Threes followed by a fiery performance by The Wailers.  The video quality is near perfect, thanks to fans who have continually upgraded it year after year.  This footage is much better than even the bootlegged DVDs circulating right now (I know because I purchased one).  Much like the Amandla footage from 1979, it is somewhat surprising that this concert has not been released officially by Island or Tuff Gong as it would require very little remastering/upgrading.

I could not locate a press review for the Dortmund, Germany show, therefore I included a review of the Strasbourg, France performance, which took place a few days earlier on June 9, 1980.  The review, written by Desmond Allen, was published in the Jamaica Gleaner on June 19, 1980.

Enjoy!  It is not every day that you get Marley footage of this quality!


Bob Marley and the Wailers
Live at Westfalenhalle

Band lineup

    Bob Marley, vocals, rhythm guitar
    Aston Barrett, bass
    Carlton Barrett, drums
    Al Anderson, lead guitar
    Junior Marvin, lead guitar
    Earl Lindo, organ, clavinet
    Tyrone Downie, keyboards
    Alvin Patterson, percussion
    The I-Threes, backing vocals

The I-Threes

   1. “Precious World”
   2. “Slave Queen”
   3. “Steppin’ Out of Babylon”
   4. “That’s The Way Jah Planned It”

The Wailers

   1. “Marley Chant” -> “Natural Mystic”
   2. “Positive Vibration”
   3. “Revolution”
   4. “I Shot The Sheriff”
   5. “War” -> “No More Trouble”
   6. “Zimbabwe”
   7. “Jammin’”
   8. “No Woman, No Cry”
   9. “Zion Train”
  10. “Exodus”
  11. 1st encore break
  12. “Redemption Song”
  13. “Could You Be Loved?”
  14. “Work”
  15. “Natty Dread
  16. “Is This Love?”
  17. “Get Up, Stand Up”
  18. 2nd encore break
  19. “Coming In From The Cold”
  20. “Lively Up Yourself”

I have included the audio files for the performance for your listening pleasure.  The audio was ripped from the DVD.  The audio is from the soundboard recording of the show and is included here for download.  Since the audio is ripped from the DVD, the FLAC files are lossy.  However, this is the best source audio I could find for this show.  If I find a better one, I will post.

DOWNLOAD FLAC FILES

CLICK IMAGE TO READ ON ISSUU

Bob Marley 1980

Bob Marley 1980

Westfalenhalle 1980

SEECO Speaks plus Kaya Tour Rehearsal Sessions, Miami 1978

I’ve got a real rarity for you guys today.  A Seeco interview.  I don’t think I’ve ever seen Seeco speak.  I know I’ve never seen him interviewed.  Give thanks for the genius of Ras RoJah Steffens.  He has such extensive Wailers knowledge that he knew Seeco, along with Joe Higgs, was partially responsible for helping mold Bob, Bunny, and Peter into a tight, rhythmic, melody-making machine.  Knowing this, he is able to pull the story from Seeco, and land an interview with the Wailers’ enigma.

Long before The Wailers started recording, percussionist Alvin “Seeco” Patterson was one of the primary musical tutors for the vocal group, specializing in rhythm. Seeco, seeing that the trio could be molded into something great, brought the Wailers to the attention of Studio One owner Clement “Coxsone” Dodd. He even played congas for them as they auditioned for Coxsone, who eventually took them on as recording artists. He went on to become a roadie for The Wailers 1973/74 tours before becoming the longtime percussionist for The Wailers.  SEECO is sometimes credited as Francisco “Willie” Pep.

Prior to this, Patterson had a career in Jamaica’s “mento” music scene. In Stephen Davis’ biography, “Bob Marley, it is revealed that Seeco, “played with Lord Flea and various mento-calypso combos”. Davis later describes the music Lord Flea played when Seeco was in the band as “mento jazz”.

The interview, conducted backstage in 1991 at the Universal Amphitheater in Los Angeles, is a real rarity.  Roger tells me that this is the first time it is seeing the light of day.  In the interview, Seeco tells the story of bringing Marley to his first audition at Coxsone. It’s a little hard to penetrate fully, but I think you will enjoy the challenge.

Enjoy!

Click photo to watch the interview.

Bob Marley and Seeco Patterson

I’m also including what is in my opinion the best Bob Marley and the Wailers rehearsal session that circulates.  This rehearsal session from May 31, 1978 is an absolute gem.  The songs performed on these tapes sound better than most groups’ officially released material.  What amazes me the most is how tight the band is during this session.  It is common knowledge to most die-hard fans that Marley rehearsed his band like no other lead musician.  They spent hours upon hours upon hours in hot, muggy, and smoky rehearsal rooms honing these songs to perfection.

They had just played 2 shows at The Orpheum in Madison, WI a few days earlier.  They are back in Miami at Criteria Studios to rehearse for the upcoming tour.  The tour will take them to Philadelphia on June 5, 1978 to play the Spectrum.  It then continues on through the northeast and Canada before taking off in Europe.

These rehearsal tapes, a virtual “throw away set” for Marley, is one of the best reggae sets that I own.

Bob Marley and the Wailers
Kaya Tour Rehearsals
Miami, FL May 31, 1978

Cd One:

01 Rastaman Chant (take 1)
02 Keep The Faith (take 1)
03 Rastaman Chant (take 2)
04 Keep The Faith (take 2)
05 Keep The Faith (take 3)
06 Keep The Faith (take 4)
07 Burning & Looting (false start)
08 Burning & Looting (take 1)
09 Burning & Looting (take 2)
10 Time Will Tell (take 1)
11 Time Will Tell (take 2)
12 Lively Up Yourself
13 Who The Cap Fit ( Man To Man )

Cd Two:

01 Easy Skanking
02 Want More
03 Jamming
04 Crisis
05 Running Away
06 Crazy Baldhead
07 Running Away (take 2)
08 Positive Vibration
09 Soul Rebel
10 Waiting In Vain

DOWNLOAD FLAC FILES

Big, big thanks to Ras RoJah Steffens for sharing this rare interview with us.

Bob Marley at Cane River Falls (Photo by Lee Jaffe)

My friend and blog fan Lee Jaffe shared with me this wonderful photo of Bob washing at Cane River Falls Jamaica.  For those who do not know, Lee Jaffe was a member of The Wailers, playing harmonica on the classic album Natty Dread.  He also organized their first North American tour.

In 1977, he produced one of the most important, if not the most important, albums of the classic era of roots reggaeLegalize It.  He also took the iconic cover photo for the album.

He has produced albums for Joe Higgs, The Wailing Souls, and Barrington Levy.

He is an immensely talented photographer, and one of the first to capture candid photos of Bob Marley.

He graciously shared this photo that he took circa 1972-’73, so I am sharing with all of you.  I hope to do a full profile on Jaffe in the near future.

© Lee Jaffe

www.leejaffe.com

See Lee Jaffe in the new film “MARLEY” by Academy Award-winning Director Kevin McDonald.  Opening worldwide April 20, 2012.

Natty Dread In Babylon: Bob Marley Interview 1975

My good friend and avid Bob Marley collector and historian Marco Virgona is a regular contributor to the Midnight Raver blog.  Today, he donated this 1975 interview to the archives. 

Marco is partial owner of www.bobmarleymagazine.com, the best site on the web for finding information on Bob Marley.

This interview was published in the Ann Arbor Sun on June 20, 1975.  Enjoy!

Click here to read interview from the Ann Arbor Sun.

Bob Marley 1975

© Neville Garrick

Beyond Flat Out With Bob Marley: Boston 1978

Bootleg Audio and Concert Reviews

Dropping in briefly to share a piece of Wailers history with everyone.  Bob Marley and the Wailers toured the U.S. in May and June of 1978, primarily playing mid-sized venues like music and orchestra halls.  The band is coming off their now-historic performance at the One Love Peace Concert in April, their first performance back on the island since Marley’s attempted assassination and the Smile Jamaica concert in December 1976.  They are touring the U.S. in support of their new album Kaya, which was released on March 23, 1978.

Boston Music Hall 1976

© Don Bullens

On June 8, 1978 they play two shows at the famed Boston Music Hall, a performing arts center located on Tremont Street in Boston.  This venue was originally known as the Metropolitan Theatre when it opened in 1925. It seats more than 3,600 people. In 1962 it became the home of the Boston Ballet and was renamed the Music Hall.

The two performances at Boston’s Music Hall were recorded and are presented here for your listen and download.  Wolfgang’s Vault recently presented these two shows and provided a wonderful review of the shows:

“Bob Marley and The Wailers had finally broken through the American mainstream by the time this show (the first of two recorded for the King Biscuit Flower Hour on the same day) was performed. It had been five years since The Wailers had emerged from Jamaica, on Chris Blackwell’s Island Records, and become the darlings of music journalists with classics such as “Get Up Stand Up,” “No Woman, No Cry” and “I Shot The Sheriff,” the latter of which Eric Clapton had brought to the U.S. Top 10 charts in ’74. Abroad, their infectious blend of reggae had found a solid and well received niche in the pop mainstream, and Marley had become one of the most powerful and influential figures in his native country.

With the release of 1977′s Exodus, Marley and The Wailers gained an even stronger foothold in the world’s collective consciousness. Recorded in London just after an assassination attempt on his life, Marley’s album is a reflective statement, political and inspired, despite spawning massive hits like “Exodus,” “Waiting in Vain” and “One Love” (the latter has since been adapted for use by the Jamaican tourism board). The success of this record gave the group enough momentum to take the world by storm when they embarked on their 1978 world tour, from which this recording is taken. Marley is fully in control by this time. This, the early show, is a little more laidback than the late one. Marley and company were warming up and seemed to be enjoying themselves during this set, rather than focusing on explosive showmanship.

Highlights include an energetic version of “Jammin’,” and a signature Bob tune, “The Heathen,” which wasn’t performed at the late show. So people get ready – Bob Marley and The Wailers are about to catch a fire.”

Boston 1978

© Jill Furmanovsky

Many thanks to Wolfgang’s Vault for preserving and sharing the soundboard recording of these shows.  In addition to the concert review provided by Wolfgang’s Vault, I mined the newspapers and recovered a review of the shows written by Steve Morse and published in the Boston Globe on June 9, 1978.

Click To Read

Band Lineup

Bob Marley, vocals, rhythm guitar
Aston Barrett, bass
Carlton Barrett, drums
Junior Marvin, lead guitar
Earl Lindo, organ
Tyrone Downie, keyboards
Alvin Patterson, percussion
The I-Threes, backing vocals

The June 8, 1978 early show is a soundboard/audience matrix recording presented here for listen and download:

Press the downward facing arrow to download an audio file of this show.

1. “Slave Driver”
2. “Burnin’ And Lootin’”
3. “Them Belly Full (But We Hungry)”
4. “The Heathen”
5. “Rebel Music (3 O’Clock Roadblock)”
6. “I Shot The Sheriff”
7. “Easy Skanking”
8. “No Woman, No Cry”
9. “Lively Up Yourself”
10. “Jammin’”
11. “War” -> “No More Trouble”
12. “Get Up, Stand Up”
13. “Exodus”

The June 8, 1978 late show is a soundboard recording presented here for listen and download:

1. “Concrete Jungle”
2. “Burnin’ And Lootin’”
3. “Them Belly Full (But We Hungry)”
4. “Rebel Music (3 O’Clock Roadblock)”
5. “Crazy Baldhead” -> “Running Away”
6. “I Shot The Sheriff”
7. “Easy Skanking”
8. “No Woman, No Cry”
9. “Lively Up Yourself”
10. “Jammin’”
11. “War” -> “No More Trouble”
12. “Get Up, Stand Up”
13. “Exodus”

Must give many thanks to my good friend Dubwise Garage who provided invaluable commentary regarding the audio for these shows.  Please visit his blog at http://bobmarleyconcerts.wordpress.com.

Also, thanks to Emmanuel Parata of The Bob Marley Archive for suggesting corrections to the photo credit.

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