Reggae MD, Good For You

Now ear this. A new full-time full up stream for Midnight & All-Day Ravers:


After many months, & special tests Doug Wendt presents a special tonic & degree,

Extra something guaranteed, recipe balanced carefully, FDA I-proved, Reggae MD
Vital vinyl, unique mixes, carefully selected, all ages, covers & lovers, uncovered & cured,

Ever-changing, never ending, hand-picked fresh playlists daily, brand new, good for you


Free house calls, level vibes 24/7/365,
no need to feel jumpy, no need to feel bumpy,
making sure you take your musical medicine, leaving the happy in,
Midnight Dread, Mikey Dread, Med-Ical Doctors, Reggae MD


Wrapping you in a bubble of love, Always there when you need it,
Nurses & Doctors agree “Take the conscious party” Reggae MD

It’s all about the music.
Be well,


U Brown “Keep On Skanking” (Jaguar)

Here is an interesting 7″ from my collection.  U Brown toasting over Bob Marley’s “Easy Skanking.”  He’s actually toasting over Johnny Clarke’s rendition of the Marley tune.  Clarke recorded an entire album of tribute tunes to Marley.

Definitely one you don’t hear very often.

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Johnny Clarke vinyl singles plus Black Echoes, 1983

Here is another great interview from the Black Echoes collection, shared by MIDNIGHT RAVER’S Peter van Arnhem.  I cannot overstate how crucial these Black Echoes articles are in preserving and documenting reggae history.

Also, I have included several Johnny Clarke vinyl singles from my collection.

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A Rare Live Performance from Jah Shaka (Video)

Jah Shaka has been operating a South East London-based, roots reggae Jamaican sound system since the early 1970s. Shaka stayed true to his spiritual and distinct musical style during the 1980s when many other Sound Systems had started to follow the Jamaican trend towards playing less orthodox styles tending towards slack dancehall music.  The Jah Shaka Sound System continues to appear regularly in London, with occasional tours of the United States, Europe and Japan.  On his own record label he has released music from Jamaican artists such as Max Romeo, Johnny Clarke, Bim Sherman and Prince Alla as well as UK groups such as Aswad and Dread & Fred.  He has released a number of dub albums, often under the Commandments of Dub banner.  Artists featured on more recent releases include both established singers like Tony Tuff, and new emerging artists like Rockaway and Principle – who have sung over riddims produced by his son Malachi, known as Young Warrior.
Shaka has also established the Jah Shaka Foundation to carry out assistance with projects in Ghana, where the foundation has bought 7 acres of land in Agri, thirty miles outside of Accra.  It has also managed to distribute medical supplies, wheelchairs, library books, carpentry tools, drawing materials and records to clinics, schools and radio stations in the Accra area establishing important links with the local communities.  Shaka himself was actually a youth worker years ago, and has regularly been quoted encouraging youths to study geography and history so they know “whats happened, where it’s happening and who’s doing it”.
I have featured the work of Jah Shaka here before, most notably an album with Aswad called Jah Shaka Meets Aswad in Addis Ababa Studio.


“Kingdom of Zion” Mix (Bunny Lee)

One of my favorite riddims is Bunny Lee’s “Fittest of the Fittest,” also known as “Kingdom of Zion” riddim.  Truly heavy and drenched in roots.  Check the mix!

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1. Barry Brown – Fittest of the Fittest
2. Bunny Lee/Brad Osbourne – Kingdom of Zion Dub
3. Aggrovators – Fittest of the Fittest Dub
4. Al Campbell – Clean Hands
4. Barry Brown – No Wicked Shall Enter the Kingdom of Zion
5. Johnny Clarke – Fittest of the Fittest
6. Alborosie – Kingdom of Zion



“Growing Dread: KC, The Wailers, and Me” by Mark Lee

The following essay by Mark Lee was published on May 11, 2011 at www.abengnews.com, a weekly online publication which showcases features, news analysis, commentary and the arts from a growing global network of correspondents, with a decidedly Caribbean/Jamaican flavor.  The essay, titled “Growing Dread:  KC, The Wailers, and Me” tells the story of a young Mark Lee and his experiences growing up in Kingston during the “golden age of reggae,” experiences which include attending Kingston College (KC) with Tyrone Downie, frequenting the Wail ’n Soul Tuff Gong record shop at Beeston Street, and witnessing the evolution of a small tune called “Concrete Jungle.” 

This is mandatory reading for any serious Wailers fan.

“Growing Dread:  KC, The Wailers, and Me”
by Mark Lee

Jennifer Lopez is on my Toronto TV as I write, singing I’m Into You, accompanied by the rapper Lil Wayne. It’s a traditional reggae bass line with a little bit of the more recent dancehall rhythm on top – a sound some of us in my youthful days called flyers rockers, associated with the likes of Johnny Clarke and his None Shall Escape.

The influence of Jamaican “music of the ghetto” on world music culture is as good a point as any to recall episodes of life to mark the 30 years since news broke that Bob Marley had died in a Miami hospital as he sought to get back to Jah Yard as cancer ebbed at his sinews.

The morning remains clear in my mind. As I walked west on North Street alongside the Moravian Church at the Duke Street intersection, headed towards Kingston Public Hospital to visit my grandmother who was a patient there, I met my younger brother Andre headed to school in the opposite direction, having visited grandma.

“Mark you hear? Bob Marley dead!”



Photo by Esther Anderson