Album Of The Week: King Jammy in Roots (Auralux)

This week’s album pick is a great 2-LP compilation from King Jammy featuring the likes of Hugh Mundell, Johnny Osbourne, Augustus Pablo, and Lacksley Castell.  While the song selections are great (we even get extended versions of Junior Reid’s “Jailhouse” and Michael Rose w/ Yabby You on “Born Free”), the album’s packaging and vinyl quality is really exceptional, making this double LP one of the best collectors items to appear in the past 10 or so years.  Enjoy!

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Johnny Osbourne – Lend Me Your Chopper
Fantails – Name Of The Game
Michael Rose & Jammy – Born Free (Extended Mix)
Lacksley Castell – What A Great Day
King Jammy – Slaughterhouse Five
Hugh Mundell – King Of Israel
Augustus Pablo – King Pablo
Junior Reid – Jailhouse (Extended Mix)
Echo Minott – Youth Man
King Jammy – Youth Man Dub
Hugh Mundell – Walk With Jah
Barry Brown – School Days (Extended Mix)
Johnny Osbourne – Folly Ranking

Producer : Prince Jammy

Drums : Sly Dunbar & Santa Davis & Anthony Benbow Creary
Bass : Robbie & Jah Mikes
Lead Guitar : Earl Chinna Smith & Bo Peep & Tony Chin
Rhythm Guitar : Bingy Bunny & Dougie Bryan & Fazal Prendergast
Piano : Asher & Keith Sterling & Gladstone Anderson & Ossie Hibbert & Tarzan
Organ : Winston Wright & Ansel Collins & Touter Harvey
Synthesiser : Wire Lindo
Saxophone : Deadly Headly
Trumpet : Bobby Ellis
Clavinet : Winston Wright
Harpsicord : Winston Wright
Percussions : Skully

Studios :
Recording : Channel One (Kingston, JA) & King Tubby’s (Kingston, JA) & Harry J (Kingston, JA) & Jammy’s (Kingston, JA)

 

Album Of The Week! Barrington Levy – Teach Me Culture (1983)

BARRINGTON LEVY ‘TEACH ME CULTURE’ (LIVE AND LEARN) 1983

Without question, Barrington Levy’s strongest effort is 1983′s ‘Teach Me Culture,’ engineered by Crucial Bunny and featuring the Roots Radics.  What rules this album is the Radics’ riddims, each one more dangerous than the previous, and Levy’s lyrics.  Whether singing about a neglectful father in “One Foot Jo Jo” or hungry children in “Don’t Pretend,” this album transports us back to a time when Levy was still hungry.  That he was prolific is not surprising.  That he was able to continually come with material this strong for some 15 years is stunning.  Just a jawbreaker from beginning to end.

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Don’t Pretend
Teach Me Culture
To Love Someone
Lonely Man
One Foot Jo Jo
Now A Days
Jah Is With Me
Trying To Rule My Life
Mind You Hurt My Mom

Producer : Helena Hall & Barrington Levy

Engineer : Crucial Bunny

Backing Band : The Roots Radics

Studios :
Recording : Channel One (Kingston, JA)

Yabby You ‘Beware Dub’ (Vivian Jackson)

Here we have another outstanding effort from the great Vivian Jackson AKA “Yabby You.”  The album was released in 1978 and then re-issued twice:  once in 1991 on the ROIR label, and again in 1992 on Randall Grass’s Shanachie label.

Jackson was born in the Waterhouse district of Kingston, Jamaica in 1946. One of seven children, Jackson left home at the age of twelve to find work at a furnace in Waterhouse. At seventeen, the effects of malnutrition had left him hospitalized, and on his release he was left with severe arthritis which had partially crippled his legs. His physical condition meant that he was unable to return to his previous work, and he was forced into hustling a living on the streets of Kingston.

His beliefs were markedly different from that of his Rastafarian contemporaries, believing in the divinity of Jesus rather than Haile Selassie I, earning him the nickname ‘Jesus Dread’; This often prompted debate on religio-philosophical matters, and it was after one of these discussions that Jackson first headed towards a recording studio, having heard music “like a strange ting, inside a my thoughts – like an angel a sing”.

Another spell in hospital meant that finding money for recording was difficult, but eventually the “Conquering Lion” single was released late in 1972, credited to ‘Vivian Jackson and the Ralph Brothers’. Cut for King Tubby, the popularity of the song and its distinctive introduction (the chant of “Be-you, yabby-yabby-you”) earned Jackson the nickname “Yabby You”, which has remained with him during his entire career.

The next few months saw the recording of several more singles, released under different names on various record labels, (although usually credited to ‘Vivian Jackson and the Prophets’, and often featuring a King Tubby ‘version’ on the b-side); culminating in the release of the Conquering Lion album. A King Tubby mixed dub set, King Tubby’s Prophesy of Dub, was also issued, albeit on a limited run of 500 copies, helping to establish Jackson as a roots artist.

Yabby’s success allowed him to branch out as a producer, and he began working with both upcoming and more established artists including Wayne Wade, Michael Rose, Tommy McCook, Michael Prophet, Big Youth, Trinity, Dillinger and Tapper Zukie, while continuing to release his own material.

Jackson continued to record, produce and perform (often with the aid of crutches) until the mid-1980s. He re-emerged in the early 1990s, issuing both new and old material, and his recordings have been the subject of several high quality reissues in recent years. In 2000 he released a singles remix project with Glen Brown. The album included remixes of “Conquering Lion” by Smith and Mighty, and a remix of Glen Brown by Small Axe and Terminal Head.

He died on 12 January 2010, aged 63, after suffering a ruptured brain aneurysm.

Capture

MUSICIANS:

Aston Barrett Bass
Benbow     Drums
Pablove Black Piano
Sly Dunbar Drums
Bobby Ellis Horn
Ernest Hokim Engineer
King Tubby Mixing
Earl Lindo Guitar
Tommy McCook Horn
Prince Jammy Mixing
Chinna Smith Guitar
Leroy “Horsemouth” Wallace     Drums
Yabby You Arranger, Composer, Primary Artist, Producer, Vocals

The Reggae & African Beat  (Dec 1, 1987)yabby%2Cyou

 

Midnight Raver’s Album Pick of the Week!

WAYNE JARRETT ‘SHOWCASE VOL. 1′ (WACKIES)

Sit down and put a seatbelt on before you listen to this one.  The sweet, soulful voice of Wayne Jarrett, backed by the All-Stars, and recorded at just the right level by Bullwackie.  Only Bullwackie could have produced this record because it has a distinctive sound that is every bit Fort Apache/Motown Philly/Chocolate City and Kingston, Jamaica all rolled in to this perfectly produced showcase album.  In my opinion, this is Lloyd Barnes at his best.  Just check the echo placed on Jarrett’s vocal on the opener “Brimstone and Fire.“  Jarrett is all but whispering the words to the mic.  The whispered vocal takes flight with Lloyd Barnes and Prince Douglas at the board.  Check how Barnes slows the whole crew down to a crawl for this wicked version of “Every Tongue Shall Tell.”  The dub track simply stupid.  Clive Hunt, the Chosen Brothers, and Jerry Johnson on the riddim tracks haaard.  A perfect album in every sense.  “F*ck the new jack swing, Gimme that Wackies thing!”  None cyan’ test it!

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SIDE A

1. Brimstone and Fire
2. Every Tongue Shall Tell
3. Magic in the Air

SIDE B

1. Bubble Up
2. Darling Eyes
3. Holy Mount Zion

‘Funky Kingston’ (Melody Maker, June 12, 1976)

Published on June 12, 1976, this Melody Maker article by Ray Coleman describes the Kingston, JA scene in 1976.  I obtained this one from a collector in Belgium and it is worth every penny.

CLICK ON THE IMAGES TO READ IN THE DIGITAL DOCUMENT LIBRARY

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