Midnight Raver

Reggae/Dub/Roots/Culture

Archive for the tag “Spear”

The Best Reggae Mix Album On The Planet (Out of Print)

…and I have it!

So when I was 16 years old it was 1989 and I was being forced to listen to str8 garbage on the radio.  Guns ‘n Roses, Poison, you get my drift.  My only solace as a white kid who loved black music was the Reggae Sunset show which aired from 6:00 pm-6:30 pm every Sunday night during the summer.  I never missed a show.

So I call in one night for whatever contest they were running at the time (probably call in when you hear “Telephone Love” by Shabba).  Well, for once in my life I won something.  Pure gold! I was all too delighted a few days later when I received this in the mail:

That’s right.  The “Groove Yard” Mango Records reggae mix album.  For those of you who haven’t had the pleasure of owning this rare gem, you really missed out.  A perfect track listing of the finest classic roots reggae tracks.  If you are like me, you probably own each of these tracks already on any number of other albums, but there is just something about this mix that takes me back.

Here is a review from AllMusic:

Since its release in 1989, Groove Yard has remained one of the best introductions to reggae music available. Because it draws on the very deep Island/Mango catalog, its contents cover just about every important reggae artist: Burning Spear, Toots & the Maytals, Jacob Miller, Augustus Pablo — it’s like roll call at the Reggae Hall of Fame (the only curiosity being the exclusion of Bob Marley, who was probably judged by the album’s programmers to be a universally familiar figure already). Best of all, the artists are all presented at their very best: Junior Murvin delivers the classic Black Ark production “Police and Thieves,” Burning Spear intones “Marcus Garvey,” Augustus Pablo dubs things up with “King Tubby Meets Rockers Uptown” (arguably the finest example of dub ever recorded), and so on. Every reggae fan will have a couple of quibbles, but overall this is one reggae album that could be confidently recommended to anyone who wants just one for their collection.

1     Jimmy Cliff – The Harder They Come 3:02
2     Melodians, The – Rivers Of Babylon 4:17
3     Heptones, The – Book Of Rules 3:30
4     Burning Spear – Marcus Garvey 3:44
5     Augustus Pablo – King Tubby Meets The Rockers Uptown 2:32
6     Dillinger – Cokane In My Brain 2:44
7     Max Romeo – War Ina Babylon 4:50
8     Junior Murvin – Police And Thieves 3:48
9     Lee Perry – Roast Fish And Cornbread 4:23
10     Toots & The Maytals – Reggae Got Soul 3:05
11     Third World – 96° In The Shade 4:38
12     Jacob MIller – Tenement Yard 3:34
13     Steel Pulse – Ku Klu Klan 3:30
14     Linton Kwesi Johnson – Sonny’s Lettah 3:50
15     King Sunny Ade – Ja Funmi 3:34
16     Gregory Isaacs – Night Nurse 3:35
17     Black Uhuru – Solidarity 3:30
18     Aswad – Don’t Turn Around 3:25
19     Ray Lema – Moni Mambo 5:00

DOWNLOAD FLAC FILES

“Rasta And The Ball” Documentary: Rare Footage of Bob Marley, Burning Spear, and Mutabaruka

I have included the rare short film “Rasta And The Ball” which explores Rastafarian fascination with football, or soccer.  I recently performed a video upgrade on this film and it looks really good compared to what it used to be.  Enjoy this extremely rare look at Bob Marley, Burning Spear, and other roots superstars engaging in one of their truest loves – football.

“Rasta And The Ball” (Video Upgrade)

© David Burnett 1977, Brussels

Bunny Wailer

www.bobmarleymagazine.com

Exclusive! Brand New Burning Spear!

“Dub The Spear” from the soon-to-be released No Destroyer album

Many thanks to Spear for sharing this new track!  I’m really digging the vibes from this dub off his new album.  I also included classic David Burnett photos of Spear.  I love the classic black and whites from the seventies.


“Dub The Spear”

Burning Spear Going To Exile?

United Reggae
By Gerard McMahon
February 22, 2012

Burning Spear‘s conflict with reggae distributor Ernie B. recently took a turn for the worst, with the legal eagles entering the fray amidst allegations of piracy, bootlegging and threats of arrest.

http://unitedreggae.com/articles/n901/022212/burning-spear-going-to-exile

© Mathieu Roy

Door Peep Shall Not Enter

“Door Peep shall not enter, dis a Holy land” and that was my introduction to roots and culture. I do not remember what record it was from. It was sometime in the mid-80′s, maybe ’85 or ’86. I just knew that it had me hooked and I would be listening for the rest of my life.

“Door Peep” by Burning Spear was my introduction to reggae music-a song which sends chills down my spine even today. I’ve listened to the tune for almost 30 years, however, I have no clue about what it speaks to. I’d always thought it was a song of worship to Jah the Most High. Spear sings of “chanting down Babylon” and “giving thanks and praise” to “the Holy Man of Creation”. So with this post, I am going to briefly explore the history of this tune, its meaning, and try to find out why it has had such an impact on me.

According to www.roots-archives.com, “Door Peep Shall Not Enter” was released as a single in 1969 and again in 1973 on Spear’s self-titled Studio One debut (LP #FCD7940) produced by Coxsone Dodd.  According to Wikipedia, the single fared poorly on the Jamaican charts.

Burning Spear

The version included on this album is much different from the version that I listen to.  The original album version titled “Door Peep Shall Not Enter” is very upbeat, while the more popular version titled simply “Door Peep” is a slow tempo, almost solemn tune.  The version that I have listened to for almost 30 years was released on the “Man In The Hills” album, produced by Jack Ruby and released under the Island label in 1976. 

Man In The Hills

On writing and recording the record says Spear:

“I bumped into Bob [Marley] and I asked him who and where I could check. He told me about Studio One. We have a nice reasoning pertaining to the recording business. But a start with Clement Dodd… Monday morning I do the audition. I was told to come back the following Sunday. Mr Dodd was in charge of the session. My first song was “Door Peeper” and I start… ‘Foggy Road’, ‘Creation Rebel‘.”

“All those lyrics was created long, long, long time before going through the studio door but the time never come until 1969. From when I started in music I took unto myself the name Burning Spear. Jomo Kenyatta inspired me to that as an African.”

Jomo Kenyatta, The Burning Spear, is now seen as a stabilising influence in Kenya but in 1952 he is charged with leading the Mau Mau rebellion against the British and in 1953 he is sentenced to seven years imprisonment. In 1964 he is elected the first President of the Republic of Kenya. He remained in that exalted position until his death in 1978 and his life, work and towering achievements were to have a profound and lasting influence on Burning Spear.

On the songs meaning, according to noted roots and culture and Jamaican music historian Noel Hawks, “‘Door’ is used throughout The Bible metaphorically as the entrance to anything and here it is used as a condemnation of those unwilling to enter wholeheartedly into God’s Kingdom. The horns are devastating and coupled with Burning Spear’s anguished singing the concept of ‘Chanting down Babylon’ becomes a tangible reality.”

With regard to the meaning of “Door Peep”, I believe it is up for interpretation.  Spear is clearly referring to a place and time of which we have not experienced here on Earth.  Is he referring to the Hereafter?  Maybe.  Is he referring to a world free from politics, and greed, and violence, and war?  I believe so.  Hawks’ interpretation seems to hold some weight as it may include the Hereafter, a world free from war, a Heaven, or , in his words, God’s Kingdom.

Spear could be referencing these things, but it is my belief that he would want the listener to take off the headphones and walk away with a meaning all his/her own.

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